![]() The boxes were excellent for modifying the sounds of drums and guitars and also used on the echo plates and sometimes during the final cut of the discs. This is why it is stuck together with black gaffer tape. So without a second to waste, our senior engineer Len Page got hold of another Abbey Road innovation - the RS 135, a box to reduce sibilance, and rearranged its components to turn it into an 8 KHz booster box. John Lennon liked it particularly at the 10KHz mark but wished it was more 8KHz than 10KHz. So by the '60s with popular groups filling the studios, it was rebuilt into a smaller green box with ‘Siemens’ sockets in and out on the back of it and called the Brilliance Box (very '60s) with the letters engraved on front in gold. It became such a success being used on almost every recording session that more were needed and close to hand as well. The grey unit had to be plugged into a purpose made rack of equipment placed behind the recording console and as it was purely passive it required a remote amplifier. It was required to add to the available treble frequencies on the EMI recording consoles, being 2.7 Kc/s, 3.5 Kc/s and 10 Kc/s which could be boosted in 2 dB steps up to 10 dB (or reduced when necessary). The hardware has the same build quality as the original units, with some minor layout changes such as more visible LED markers.The Presence Boxes were based on an earlier Abbey Road design from 1955 and re-created as the RS 127 in 1962. The system supports VST, VST3, AU, and AAX plug-in formats on Mac OS X systems, and is compatible with Windows as well. The MKII also includes DAW control functions for Presonus Studio One and Cakewalk Sonar, two DAWs heretofore incompatible with the product. The flexibility of the controller allows for parallel compression and side-chaining, and a history function allows you to undo any change to the plug-ins, thus facilitating experimentation when mixing. You can also copy and paste settings from one channel to another. ![]() Digital offerings from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios, and more are all represented, with no MIDI mapping required to make these plug-ins work with the controller.Īs for the hardware controller, you can use it in a variety of ways, grouping multiple channels together to adjust their channel strip parameters simultaneously. In addition to this emulation-as well as separately available models of other classic consoles-the system allows you to control, straight from hardware, well-regarded UAD emulations. The system comes with Softube's virtual model of a classic large-frame console, the Solid State Logic SL 4000 E, and with this emulation, you get every tonal option an SSL channel strip can provide. It functions as a VST Plugin, an Audio Units Plugin, a VST 3 Plugin, an RTAS Plugin and an AAX Plugin. Page-up and page-down buttons enable access to additional channels in groups of 20. Abbey Road Studios Brilliance Pack by Softube / Abbey Road is a Virtual Effect Audio Plugin for macOS and Windows. When switching between channels, the contoller's built-in LED indicators-now more visible than before- will change to display the current channel-strip levels the on-screen display will change to show the selected channel. ![]() You can switch between tracks using the controller's bank of channel selector buttons. You can keep watch over all track levels using the on-screen meter bridge and the hardware's built-in meter display. ![]() The system provides a software channel strip that can be utilized with any track in your DAW, as well as a hardware controller for adjusting the parameters of that channel strip. The Softube Console 1 MK2 is a hardware Control surface designed to provide control of over 60 available plugins from Softube and Universal Audio
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